We are raising funds through the Australian Cultural Fund FLOW

Flow is a short film about a young woman who wrestles with her identity after losing her ability to have children.

It explores themes of motherhood, grief & healing. The film is led by award-winning creatives Kate Vinen, Katherine Shearer & Adam Daniel.

Directed by award-winning writer/director Kate Vinen, Flow is a personal story of loss and self-reclamation, that explores the societal pressures placed on women and how they are often judged and devalued when they cannot fulfil narrow, patriarchal roles. In a world that frequently defines women by their capacity for motherhood, Flow explores the profound psychological and emotional impact of infertility on personal identity. The narrative follows a young woman who, after a life-altering diagnosis, finds herself alienated from the life she once knew. Seeking peace and renewal, she turns to the ocean pool—a place where she finds freedom and the rediscovery of the self outside of societal constraints. The project will be filmed over four days in the dramatic, coastal Eastern Suburbs of Sydney, Australia. Kate and cinematographer Simon Koloadin have carefully selected the ideal locations that will bring this story to life.

Lianne Mackassy (Three Thousand Years of Longing) has been cast to play the lead role in Flow. Kate previously directed Lianne in Hopeful Romantic, which won five awards at Australian Women's Film Festival. Vinen’s directorial approach, combining intimate, evocative visuals with raw emotional performances, will create a powerful cinematic work which aims to premiere at top tier international film festivals. Flow seeks to challenge the narrative that a woman’s value is tied solely to her ability to bear children. The film offers a message of resilience and self-discovery, and speaks to the current cultural landscape, where comments like those from public figures such as JD Vance—who labeled childless women as “cat ladies” and implied that they lack societal value—reflect a pervasive mindset. Flow critiques these reductive views, offering instead a nuanced meditation on how deeply ingrained cultural and social expectations diminish women who deviate from normative paths of motherhood.

Miss Ink Australia

Premieres on the We Are Pride YouTube channel from August 31, with new episodes weekly! Miss Ink is an observational documentary series celebrating tattooed women from across the country as they participate in Miss Ink Australia; the only beauty pageant in the world where age, size, shape, sexuality, scars, culture, colour, creed and cellulite don’t matter. With 6 x 25-minute episodes, we follow the raw and inspiring stories of the tattooed women competing to be crowned Miss Ink Australia. Originally founded in 2009 by Fallon Nicole, Miss Ink has hosted tattoo beauty pageants across Australia and New Zealand for over 14 years, with contestants competing for a sash, tiara, cash prize, and a spot in the National Championships. The Nudge Co Studio production marks the first time the competition has been recorded commercially. From members of the LGBTQIA+ community to First Nations designers, Only Fans creators, gamers, performance artists, and beyond, the all-women contestants hail from a range of backgrounds and cultural communities. The series was developed with assistance from Screen Australia, which also provided principal production funding.

Directed & Written by Jo-Anne Brechin.

UNDER THE WATER A FILM BY ISABELLA ANDRONOS.

Short film | Aus | 2023 | 10'21“ | Colour | Dolby Atmos (and 5.1)

nglis
When an eleven-year-old girl is confronted with misogynistic taunts and violence from the boys in her town, a series of strange happenings lead to her revisit a storybook about the sirens of the sea. Inspired by these creatures, she finds the power in herself to push back.


Official Selection, Australia Independent Film Festival, 2024
Official Selection, The Bay International Film Festival, 2024
Official Selection, Cyprus International Film Festival, 2024
Official Selection, Montreal Women Film Festival, 2024
Official Selection, Atlanta Women’s Film Festival, 2024
Official Selection, Los Angeles Women in Film Festival, 2024
Official Selection, Toronto International Women Film Festival, 2024
Official Selection, Flickerfest 33rd International Short Film Festival, 2024
Semi-Finalist, Flickers’ Rhode Island International Film Festival, 2023

https://www.underthewaterfilm.com/theteam

https://www.tiktok.com/@krystalklairvoyant

Director Erin Good

Writers Erin Good  Huna Amweero

Producers Erin Good  Huna Amweero

KRYSTAL KLAIRVOYANT is an existential dark comedy about an online tarot card reader who discovers she's a witch when she starts accidentally casting spells on her customers.

Example Content Pty Ltd.

Series developed through I.C.E and Film Independent's International mentorship workshop.
With funding from SBS and Screen Australia's Digital Originals initiative.

Writer/ Director/ Show Creator: Andrew Undi Lee
Writing Team: Ra Chapman, Suzanne Kim, Jacob Holmes-Brown
Producer: Ashlea Ritchie, Andrew Undi Lee
Executive Producer: Michael McMahon, Barry Gamba
Production Company: Turn About Entertainment

Shot in the Western Suburbs of Sydney, Night Bloomers is part of the SBS/NITV and Screen Australia’s Digital Original initiative. Night Bloomers is a horror anthology series exploring multigenerational stories from the unspoken immigration experiences of the Korean Australia diaspora. It adapts a modern twist on ancient Korean folklore stories, mixed with the supernatural beliefs and story traditions from Korean Shamanism. In it, is a creepy and off-kilter world with interconnected heroes, all struggling with fractured identities that were impacted by war and immigration. Each hero faces mortality in a unique way, coupled with a deep yearning that manifests in malevolent forms of evilness that the ensemble of characters must overcome collectively. If not, the goblins, ghosts and creatures that live in and around them will continue to devour the community.

The Disposables - ABC Me

Co-creators Sonia Whiteman, Renny Wijeyamohan and Karen Radzyner discuss the multi-platform release strategy for their online project, The Disposables.

With an understanding of audience fragmentation, the team behind the new project The Disposables wanted to implement a different strategy to reach their younger audience. There will be several versions of the show: a 32 x 2-minute series on TikTok; a 3 x 30-minute version for ABC Me, and a 61-minute feature version on TikTok and iview.

With such a variety of distribution, and both vertical and horizontal versions to consider, filming and ensuring the frame suited all formats was a challenge for the team. Furthermore, they decided to film in the “found footage” style with smart phones, security cameras, laptop cameras and news bulletins providing the mechanics to convey the narrative.

“We were always shooting on very wide lenses because characters are up close and dominating the frame,” explains writer, producer and director Renny Wijeyamohan. “But you still need enough width to show the background… so it was an interesting way of storytelling.”

In this behind-the-scenes video, the team discuss the design process of the plastic-eating creature and the challenges of blocking actors for a vertical and horizontal frame.

The Disposables is available on TikTok, ABC TV and iview from 22 September, 2023.

A HOUSE, a film by Matthew D.Taylor

Melbourne Film Festival 2022

A young woman must face the trauma of her childhood while spending an evening alone with her terminally ill father.

Inspired by Bessel van der Kolk’s The Body Keeps the Score, writer/director Matthew D. Taylor sets out to dramatise the long-term effects of punishment on children and the family unit. The result, A House, is a powerful meditation on filial mercy and resentment.

Cast - Chanel Tsotras, Lauren Clair, Adam Hatzimanolis, Joshua Mehmet, Markus Papacosta, Tahlia Sturzaker and voice by Ben Stabile.

Director - Matthew D. Taylor / Producer - Katherine Shearer / Cinematographer- Joanna Cameron / Editor - James A. Thomas